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Subjective reality
We are all inclined to be quick with the verdict that 'things do not look like that'. We have a curious habit of thinking that nature must always look like the pictures we are accustomed to.


The effect produced by a line depends on its orientation : the horizontal line corresponds to the ground on which man rests and moves, to flatness, it possesses a dark and cold affective tonality similar with black or blue, ...

"Even more subjective than the Fauves, they [the Germans] sought Durchgeistigung or the charging of everything with spiritual significance, with soul, their fervent nationalism and self-consciously anti-French bias…" ...

ABSTRACT; non- art, art that utilises shape, colour and texture, without representing real objects.

In the late 19th century, writer Lafcadio Hearn went to A SUBJECTIVE live in Japan. Although he eventually became a Japanese VIEW OF REALITY citizen, his amazement over cultural differences never ceased.

naturalism Representational art in which the artist presents a interpretation of visual reality while retaining something of the natural appearance or look of the objects depicted.

(1905 - 1945) Expressionism is an artistic style in which the artist attempts to depict not objective reality but rather the subjective emotions and responses that objects and events arouse in him.

Between 1960 and 1970 Abstract Expressionism had waned, emerging directions such as Formalism, Color Field painting, Fluxus, Happenings, Minimalism, Pop Art, and Op art had decidedly swerved the focus of the avant-garde away from ...

While postwar street photographers on the East Coast were transforming documentary photography into a subjective experience of the contemporary world, ...

The provocative rhetoric and the bold ideological orientation of Immendorff's Rechenschaftsberichte gives way to a perspective of involvement, ...

A term that had become so liable to subjective interpretation was bound to attract criticism. During this century it has been challenged chiefly on the following points. (1) There is no such thing as a self-sufficient historical period.

Enter Edouard Manet in 1860 along with the French Impressionists, whose revolutionary style of painting ushered in the era of Modern Art.

When so little is known about an artist, the science of artistic attribution becomes a weaving of a few threads of hard historical data with the fabric of informed but subjective interpretive analysis based upon a shared sense of the artist’ ...

"Of all the world's markets, the art market is perhaps the most intrinsically . No one calculates the price of a painting by tallying the time it took and multiplying that by the artist's hourly rate.

About Cahana's work, Barbara Rose, the art historian writes: "To create a universal message that communicates a subjective emotional experience is the task of the true artist.

This is the opposite of the typical panoptic model that emphasizes the effects of imagined scrutiny and "permanent visibility" on the observed, but fails to explore the subjectivity of the observer.

Symbolism rejected objectivity in favor of the subjective, and turned away from the direct representation of reality in favor of synthesis of many different aspects of it, aiming to suggest ideas by means of ambiguous yet powerful symbols..

Goethe seeks to derive laws of color harmony, ways of characterizing physiological colors (how colors affect us) and visual phenomena in general. Goethe studies after-images, colored shadows and complementary colors.

Expressionism is the tendency of an artist to distort reality for an emotional effect; it is a subjective art form. The term often implies emotional angst - the number of cheerful expressionist works is relatively small.

Sometimes used to indicate an imaginative, world of inner expression that transcends mere fantasy or science fiction.

A literary and artistic movement of late eighteenth- and nineteenth-century Europe, aimed at asserting the validity of subjective experience as a counter-movement to the often cold formulas of Neoclassicism; ...

A literary and artistic movement of the late 18th and 19th-century Europe that sought to assert the validity of experience as a countermovement to the often cold formulas of Neoclassicism; ...

A subjective art form, Expressionism is characterized by symbolic colours, distorted forms, a two-dimensional careless manner, and larger-than-life imagery.

The methods artists used to emphasis and portray their emotional and response to the objects they were painting were techniques such as the use of distortion, blurring, colour exaggeration and many more.

In order to represent such subjective and symbolic aspects of their subjects, artists often paid less attention to capturing precise facial features than to developing new compositional devices, employing non-naturalistic color, ...

The kind of "realism" sought after in Chinese painting is not an objective reflection of the existence of an object as perceived through the sense of sight, but rather is an expression of a kind of recognition or insight.

This term refers to the movement which manipulates the visual elements of an image to convey intense subjective feelings. In expressionist art, color is highly intense, brushwork is free and application of paint is heavy and textured.

The hallmark of the style is the attempt to capture the impression of light in a scene. The core of the earliest Impressionist group was made up of Claude Monet, Alfred Sisley and Pierre-Auguste Renoir.

Its typical trait is to present the world from an utterly subjective perspective, radically distorting it for emotional effect, and to evoke moods or ideas.

Nabis From the Hebrew word for "prophet." A group of French painters active in the 1890s who worked in a , sometimes mystical style, stressing flat areas of color and pattern. Bonnard and Vuillard were members.

Is beauty inherent in the object or is it subjective, defined by the observer? Careful consideration of aesthetics have always been an integral part the finest paintings in history. See also fine art.

Any change made by an artist in the size, position, or general character of forms based on visual perception, when those forms are organized into a pictorial image. Any personal or interpretation of natural forms must necessarily involve a ...

The school, particularly Correggio, was influenced by Leonardo da Vinci and the Mannerist movement with its subjective and emotional approach to painting.

A movement, initially in poetry and painting, originating in Germany at the beginning of the 20th century. Expressionism seeks to present the world solely from a perspective, distorting reality for emotional effect to evoke moods or ideas.

"The artist's especially adroit manipulation of chiaroscuro as pertains to fur is a cri de coeur for the viewer to consider the artist's feline subjects objectively, rather than subjectively viewing them as objects."
Translation: ...

Expressionism - Post-World War I artistic movement, of German origin, that emphasized the expression of inner experience rather than solely realistic portrayal, seeking to depict not objective reality but the emotions and responses ...

" As with other expressionistic groups in Germany, the Blue Rider painters were individualistic, interested in psychology, highly emotional and "passionately subjective.

He is now seen as one of the leading figures of Kinetic Art. As a performance artist, his goal is to involve the spectator in a planned experiment, eliminating the possibility for their responses.

It was this more subjective search for a personal emotional truth that drove them on and ultimately paved the way for the Expressionist art forms of the 20th century that explored the inner landscape of the soul. ...

It was also to some extent a reaction against the Enlightenment and against 18th-century rationalism and physical materialism in general. Romanticism emphasized the individual, the , the irrational, the imaginative, the personal, ...

See also: See also: Painting, Expression, Roman, Movement, Sculpture

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