additive - May refer to the additive system for representing the color spectrum using combinations of the primary colors of light — red, green and blue — demonstrates combinations which produce an array of lighter, brighter colors, ...
process: see Modelling, Casting, Construction, Assemblage
Aerugo: bright green rust which forms on bronze and other metals which contain copper after exposure to air or acid: The obsolete pigment Verdigris was made of this substance.
Additive- the means of building up a surface by adding, combining or building up materials.
sculpture Sculptural form produced by combining or building up material from a core or armature. Modeling in clay and welding steel are processes.
aerial perspective See perspective.
additive. Refers to the process of joining a series of parts together to create a sculpture.
TECHNIQUE joining a smaller piece of clay to a larger piece.
AERIAL PERSPECTIVE the effect of distance or atmosphere shown through haziness or changes in color.
color that results from the mixture of two or more colored lights, the visual blending of separate spots of transmitted colored light. Return to top
The technique of building up layers of clay.
Adire Cloth ...
Additive Colour Mixture
When light colours are combined, the result becomes successively lighter. Light primaries, when combined, create white light.
Additive Colour ...
Modeling a sculpture by adding materials to it until the desired effect is achieved.
An additive used in paper-making processes and conservation treatments that will raise the pH level and make the paper less acidic.
alla prima ...
Its effects are less familiar than pigment mixture to most people. If all three primaries are mixed, the theoretical result is white light. Therefore Light mixture is sometimes referred to as mixture.
In another sense medium may be used to describe an additive to the colours when painting, linseed to oil-paints, egg yolk to tempera, gum to water-colour.
^ Richard Weston on Architecture, Jørn Utzon, Logbook Vol V, Edition Bløndal. Retrieved 25 September 2011.
^ "Utzon, Jorn, 1918-2008: Jorn Utzon Sydney Opera House collection, 1956-1967", State Library of New South Wales.
Natural light, or sunlight, is whole or additive light. As the sum of all the wavelengths composing the visible spectrum, it may be disassembled or fragmented into the individual colors of the spectral band.
Carving: The cutting of a figure or design out of a solid material such as stone or wood, as contrasted to the technique of modeling.
This leads to all details being recorded additively with the same emphasis, and the color being softened very little. His knowledge about the influence of light and air on the appearance of color only becomes noticeable in later works.
rer experienced in Italian art the holistic, organic approach to composition which lay at the opposite end of the spectrum to the art north of the Alps, where painting continued to be understood as the combination of individual elements.
In sculpture, an additive process where the artist builds up a form by adding and shaping material. In painting, the technique of using light and shade to suggest three-dimensionality.
Although terracottas are usually formed using techniques, many Nok pieces were sculpted subtractively in a manner similar to carving. This distinctive approach suggests that a comparable wood-carving tradition may have influenced them.
Among other techniques, he utilizes the difference between the additive and subtractive mixing of colors.
Inert Pigment: A powdered paint that does not change the shade or hue, but extends or otherwise imparts a special working quality to the paint.
Watercolor Mediums and Additives: Check out these nifty mediums and additives that can be mixed with watercolors to change the paint quality.
MODELING PASTE. An used to make ACRYLIC paints sculptable.
MODELLO. A drawing of a principle form of a composition made on a reduced scale in preparation for a larger work.
Basic color theory involves the science of light, the principles of pigment, the categories of additive and subtractive color, as well as physiology of the human eye and the psychology of the brain.
Bronze is any of a broad range of copper alloys, usually with tin as the main .It is strong and tough and is often favoured by Artists for Sculpture. It was particularly significant in antiquity, giving its name to the Bronze Age.
An additive used in paper-making processes and conservation treatments that will raise the pH level.
- M - magenta
A printer's name for red, in the four-color printing system which includes cyan, yellow and black. (8) ...
To manipulate is to change or model by careful use of the hands; to manage shapes and forms in a space, less by additive or subtractive techniques than by moving things around.
It describes the amount of pigment in the paint, compared to the amount of binder or other s in the paint.
color theory: as used in the Kentucky Core Content, the study of pigmented color (subtractive color theory) as opposed to light (additive color theory).
RGB: stands for Red, Green, Blue. In web design and design for computer monitors, colors are defined in terms of a combination of these three basic colors.
The ground glass used as a dryer and bulking additive was probably a low grade of Smalt, less blue than the better grades, and low in tinting strength, so it could be mixed with any color without altering its appearance noticeably.
Subtractive Colour - As oppose to colour which emits light, subtractive colour absorbs the wavelengths that make up white light and reflects only certain wavelengths which people observe as a particular colour ...more info ...
See also: Painting, Composition, Movement, School, Impression